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One of you has to wear an “I TOLD YOU SO” T-shirt, one of you has to be the innocent blonde, and one of you has to be the dark-haired schemer. You all have to wear tennis shorts. I don’t make the rules! This can be a group costume, or you can just be a cheeky, solo DIY Cheez-It, depending on your confidence level and your group’s influencer marketing awareness. If you’re going to be one of those Chappells who are sure to be found wherever Halloween is celebrated this year, you might as well be the cool bandleader. (Here's a tip: Look for discounted Merida online from Brave Wigs for maximum authenticity.) Yes, this movie came out almost a year ago, but director Emerald Fennell released it a month after Halloween 2023, so now seems like a good time; if you're looking for a couples costume, have your significant other play Jacob Elordi, and if you have a third friend or partner who needs a role, have them play the rubber duck.
If you're still not fully recovered from Saltburn's bathtub scene, it's probably best to look away: Oscar-winning provocateur Emerald Fennell has set her sights on her next project, and her choice is sure to be divisive. On July 12, the director shared an illustration of a ghostly skeleton by artist Katie Buckley on X. In the center of it is the title Wuthering Heights, and underneath it are the words "A film by Emerald Fennell." Above the image are the words "Always with me. Take any shape. Drive me mad," the immortal words Heathcliff uttered after the tragic death of Catherine Earnshaw.
With her last film, and Promising Young Woman before it, both being about obsession—the former about a student's infatuation with another student, and the latter about a woman's determination to avenge the death of her best friend—the decision to adapt Emily Brontë's deeply meaningful tale of tragic love, as well as its accompanying tagline, makes perfect sense. However, it also leaves us with some questions. Is this a faithful adaptation of the period, or a modern update? How does it compare to the countless other big-screen renditions of this particular story, from the 1939 version starring Laurence Olivier and Merle Oberon, to the 1992 film starring Juliette Binoche and Ralph Fiennes, to Andrea Arnold's 2011 remake starring Kaya Scodelario and James Howson?
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