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Toward the end of the dress fitting, I remembered the final essential piece of clothing for a traditional Jewish marriage: the veil. It’s the most storied part of Old Testament history! Rebecca wore a veil when she married Isaac, and of course, Jacob married Leah, thinking she was Rachel—unfortunately, he couldn’t tell because there was a thick strip of fabric covering her face. But I digress. The veil could be a sheet. It could be a piece of tissue. Whatever it was, I needed a veil—and I immediately thought of Batsheva Hay. In her own wedding photos, Hay wore a thick fabric veil, which she told me was her grandmother’s tablecloth. But there were no leftovers of her grandmother’s fabric for me. I went back to Mood Fabrics with Choi, and she helped me find the material that Hay needed to create the perfect veil. The dress was made of a silky satin fabric, so why not go big, exaggerated, and bejeweled? I bought the crystal-embroidered fabric and brought it to Hay’s downtown office. There, she and a team member created the piece by cutting it out and lining it with mesh to keep it from slipping off my head.
My bulging chest made me realize we had another factor to address: modesty. I couldn’t stay under the chuppah while, um, bursting. So I visited Ornela Flamuri uptown to give the piece a touch of sanctity. For those who don’t know, Ornela is a synonym: The Albanian native is a top seamstress in New York City, and her entire family has a My Cousin Vinny-style lineage when it comes to the art of tailoring. (Sister, mother, grandmother, etc.) Ornela suggested a collarbone panel. My friend and former colleague Anny Choi—now a top bridal stylist—and I went to Mood Fabrics to find a fabric shade that would match the dress. The idea worked: Ornela placed small snaps on each side of the V-neck opening as well as the fabric, then snap-fitted the fabric to the dress, creating a gorgeous, heavenly sheath.
No problem. Bevza has an elegance and modesty that is inherent in her designs. She would be the perfect woman to create this look. On a breezy May night, Bevza, who was in town for the Met Gala, met me for dinner at the Casino. She took my measurements in the middle of a crowded dining room—including my bust!—and scribbled the numbers on a piece of paper. Over the next few months, she worked with her team in Kyiv to create the dress. Bevza and her team were operating under precarious conditions. (Since Russia invaded Ukraine, sirens have been blaring and bombs have been falling on the country’s capital—but her team has continued to work.) Honestly, I was skeptical that the dress would make it to the States: mail, along with travel, is difficult in Ukraine, to say the least. The dress finally arrived about two weeks before the wedding via Ukrainian post. I put it on and it fit perfectly. Bevza knows how to cinch the waist and really accentuate the bust.
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