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As readers delve deeper into the new book, they can look back at Grant’s four decades of meaningful and impactful design. Her traditional buttoned-up coats, graphic capes and dresses, and signature headdresses are showcased everywhere from natural settings in British Columbia to the annual Santa Fe Indian Market runway. Grant’s sketches, personal stories, and reflections are also interwoven throughout. In an industry that often overlooks Indigenous talent, An Endless Thread is a long-overdue celebration of Grant, who has long championed the intersection of cultural pride, style, and the preservation of tradition. “This book has been seventeen years in the making—to see it come to fruition is beyond words,” Grant writes in her acknowledgements.
It didn’t take long for the fashion world to take notice of her unique work. Since debuting her first collection at the Hotel Vancouver, Grant has quickly become a household name—holding runway shows everywhere from Paris to Tokyo, and exhibiting her work at museums like the Metropolitan Museum of Art and the American Museum of Natural History. In 2015, she also received the Order of Canada, a prestigious honor that recognizes her contributions to the fashion world and her work mentoring youth. (More recently, Grant has visited Indigenous communities to work with young people and teach them how to create ceremonial headdresses out of fur felt.)
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