“[Martin believes that] the clothes have to speak for themselves… [Sometimes] the eyes are covered by the hair, sometimes the models wear masks; sometimes we also wear heavy makeup. Of course the people who walk for him are important, but the most important part is the clothes.” “I’m not inspired by beautiful flowers—of course I love them, but that’s not really what inspires me—but people. It’s not that I want to compare myself to Ensor, but he goes deep into the human psyche. Those masks are to hide, but also to highlight the deeper side, the darker side, the ugly side. When I touch people, I immediately feel in a way what I have to do with that person: sensitive, a little dangerous… And all those possibilities are quite attractive. What can I do with them?”
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“My work is quite organic. It’s like I have moods in my stomach and then I try to express them. I can go back and look at what I did in the 90s and after, and read my moods. I was angry with fashion back then, so the way I expressed it was to put people in a space with masks, with fake smiles.” “And of course I’m supposed to make people more beautiful, but what is more beautiful? Even for me, that’s a big question. When you feel bad and have a hangover, you can put on red lipstick, you look beautiful because it takes all the attention away from the rest of your face, people see your red lips. That’s the trick. I’m a makeup artist, but on the other hand, I’m not just there to make people beautiful. Whatever I do to them, even if it’s just a cream, they have to feel good first of all. Ultimately, when they have to be in front of the camera, they have to feel comfortable, and that's the whole game you play. Whatever's going on in their lives right before the shoot or the week before or whatever, we're there to help them feel more comfortable and express what they want to express.”
“I finished high school when I was 18 and then I could make my own choices. My parents wanted me to go to university, but I really wanted to do something related to fashion. And so I went to school in Antwerp, [where Martin Margiela and I] saw each other every day. Through Martin, I also met the Antwerp Six. I was attracted to makeup, but I was attracted to clothes when I was 12, so it was a matter of ending up [doing something] related to fashion, and that was makeup.”
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