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For those interested in trying their hand at design, one room invites visitors to explore darting techniques or embellish cut-out paper collars with crystals. For the tech-fluent, an interactive “Fashion Try-On” based on radio frequency identification technology lets users play magpie, collecting signature butterflies, flowers, stars, and other motifs on a bracelet. On the ground floor, an atelier-style space featuring original sketches, show lineups and a reconstruction of an early window display at Colette then lets users step into an AR fitting room, upload their digital trove and DIY their own Andrew Gn gown. The final result can be captured in a virtual red carpet portrait and then printed, emailed, or posted.
Curator Jackie Yoong said that when she traveled to Paris to cull favorites from Gn’s archive numbering some 10,000 runway pieces accrued over 85 collections she took some cues from last year’s “In America: An Anthology of Fashion” exhibition at the MET, gleaning direction from Andrew Bolton’s curation. “Fashion is about society and culture at a given point in time. We’re not inventing new histories, it’s about telling stories in 3D,” she said. “I saw parallels between the two [shows] because while American style is a lot more familiar thanks to Hollywood and how you see people dress, both nations are made up of immigrants from very diverse communities. Andrew’;s is a small but significant label that shows a different way into fashion. I think he expresses himself from a place of understanding: there’s no need to associate ‘home’ with a single location, and the magic of his touch is that he makes it all wearable.”
While Gn is now the toast of Garden City, “Fashioning Singapore” is a shared milestone. For ACM, it marks a 25th anniversary, the unveiling of a major renovation, and the reveal of its largest contemporary fashion retrospective to date. It also signals a fresh chapter: On the eve of the opening, a fundraising gala held in the ballroom at the five-star Fullerton Hotel drew 350 glamorous and heavily bejeweled guests who swelled the museum’s coffers to the tune of S$1.3 million (nearly $965,000), well above the original target. Those funds will be used to grow the ACM’s holdings, with a focus on cross-cultural influences and permutations of Asia in fashion.
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