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Yesterday, the world lost a beacon of style, soul, and resilience. Tina Turner passed away at the age of 83, leaving a legacy of powerful music and the sort of presence that legends are made of factors evidenced by her award-winning music, ever-evolving fashion, and that symbolic, iconic hair. “Tina Turner’s hair is so iconic that it’s entirely and instantly identifiable, even out of context,” says Rachael Gibson, also known as The Hair Historian. “You see that shaggy, supersized, spiky-but-soft shape, and it couldn’t be anyone else.” That hair, though particularly the aforementioned style that represented her personal and professional renaissance was all down to wigs, a tool on which the ‘Queen of Rock’ n Roll’ relied on for versatility, though the original choice was born of necessity.
Yesterday, the world lost a beacon of style, soul, and resilience. Tina Turner passed away at the age of 83, leaving a legacy of powerful music and the sort of presence that legends are made of factors evidenced by her award-winning music, ever-evolving fashion, and that symbolic, iconic hair. “Tina Turner’s hair is so iconic that it’s entirely and instantly identifiable, even out of context,” says Rachael Gibson, also known as The Hair Historian. “You see that shaggy, supersized, spiky-but-soft shape, and it couldn’t be anyone else.” That hair, though particularly the aforementioned style that represented her personal and professional renaissance was all down to wigs, a tool on which the ‘Queen of Rock’ n Roll’ relied on for versatility, though the original choice was born of necessity.
Turner’s blonde and barbed wigs were an exaggeration of a decade already defined by over-the-top hair, the better to pair with the era’s heavy, sculpted makeup and oversized suiting. “Tina’s hair took the idea and turned it up to 11,” says Gibson. “The fact it’s so removed from traditional ideas of femininity gave it edge and marked Tina out as a true individual who isn’t afraid to challenge stereotypes.” Gibson and Turner also note the movement that the wigs brought to the stage, an amplification of Turner’s own energy and kineticism.
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