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It goes to show that the hooded dress is not just a passing fad. There’s a range within this renewed style a mini hooded dress for a raging bash, à la Jenner, or a long, flowing silhouette fit for a classy get-together (see: Anne Hathaway’s golden frock for Bulgari’s high jewelry fete). Whatever hemline you feel best in, one thing’s for sure though: The hooded gown will always make you the life of the party. Every year, the red carpet at the Cannes Film Festival delivers plenty of glamorous fashion moments and this year was, bien sur, no exception. A-listers such as Natalie Portman, Jennifer Lawrence, and Viola Davis hit la croisette all in standout looks, whether the gowns were vintage designs or new couture creations.
Bo Bardi “was a light for Brazil she illuminated the values for Brazil,” the artist Raphael Cruz said. One of his beaded works, Marejo, 2021, hung on the veranda below the house as part of “Geometry and Spirituality.” “Brazil is a difficult country to understand,” Cruz said. It’s full of influences and incongruities, at once reliant on nature and in denial of it, the way only a place centered around urban metropolises that have subsumed a rainforest can be. “We have to look at the details to understand the whole,” he said. Brazilians, he said, have a history of missing the forest for the trees. To elect to see Brazil’s natural value, as Bo Bardi did both figuratively and very literally she replanted the jungle around Casa de Vidro by throwing seed bombs to mimic nature’s randomness is to embrace life in all its messy complexity. “This way of living is cooperative,” Cruz said. “It has to do with love.”
At the premiere of Martin Scorsese’s Killers of the Flower Moon, Indigenous star Lily Gladstone earned a nine-minute standing ovation and her floral-printed Valentino gown was just as worthy of applause. Even better is how she accessorized with a pair of dentalium shell earrings, by the Indigenous designer Jamie Okuma. At the May December premiere, Natalie Portman shined in a recreation of Christian Dior’s iconic Junon gown from 1949, featuring ornate beading and a scalloped skirt.
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