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“I’ve never been too conscious of what I’m drawn to, but I feel like I’m constantly evolving with the material,” she says. “It’s like having certain types of literature or music that you really like at different points in your life. It’s all just a reflection of where I’m at personally or what I crave creatively.” Having turned 30 earlier this year, Ronan is excited to embrace a new era. After years of playing young adults, she finally got to play a character closer to her actual age in The Outrun, while in Blitz she got to play a mother for the first time—and even sing on screen. As for what’s next, Ronan is open to the possibilities. She’ll never give up on indie films, but that doesn’t mean she’d be opposed to starring in a big blockbuster if the right one came along.
“What I’m looking at right now is the scale of the films I’m making,” Ronan says. “I’ve done a lot of independent films, but I want to do some bigger commercial films because that’s a medium I haven’t really explored much in my career.” For his part, Lowden thinks the sky’s the limit for Ronan. “I’ve acted with her, and now I’ve produced with her, and there’s never been a moment where I felt like she was lost or didn’t know what she was doing,” he says. “She’s like a Swiss Army knife.”
“It feels like there’s been a shift,” Ronan says of what she looks for in projects these days. “It’s not like when I was younger and everything was pure instinct—there’s a lot more skill and finesse now.” Ronan made her acting debut in 2007, with a double-feature in I Could Never Be Your Woman, a criminally underrated romantic comedy in which she played Michelle Pfeiffer’s daughter, and Atonement, which earned the then-13-year-old her first Oscar nomination. In the years since, Ronan has filled her résumé with character-driven hits, constantly bouncing between indie and studio fare. At a time when every rising star seems to eventually find her way into the Marvel Cinematic Universe, Ronan has notably never been attached to a major Hollywood franchise. Her highest-grossing films to date have been collaborations with directors such as Greta Gerwig (Little Women) and Wes Anderson (The Grand Budapest Hotel).
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